Bermuda cuts, lace bike shorts, tweed pantaloons and asymmetrical skirts put a Viard twist on classic Chanel. Bottoms were a particular highlight, already filling our heads with ideas for the season ahead. Viard chose to limit evening wear, with the closing camellia-print silk dresses layered over snug knits and long johns to denote a more everyday wearability. The collection was punchy and informed, taking a meaningful approach to ready-to-wear in a way that not all luxury houses nail. While CHANEL looks will always have a distinct sense of formality, styling felt down-to-Earth. Though inspiration came from the archives, the collection was undeniably modern. and the Gianni Versace-inspired 'On The Runway' are melancholic and. Looks 40-47 break it up with magenta and darker pinks before scarlet red jumps in for the closing five looks. In typical fashion, Bernhard speaks her mind on a variety of topics, including John. The flowers were everywhere, but never too much.īlack, white and grey featured as the core colour palette, with bubblegum pink peppered throughout. Then the camellia takes on new forms, tiling on denim and dresses, coming together as a corsage on pockets, abstractly fused with the interlocking ‘C’ logo in a mod-print in look 24, and distributed as three-dimensional polka dots on cardigans and jackets. ![]() They initially take on a more obvious use clustering on the lapel of a leather trench coat making up the lace patterns on hosiery, serving in silver as buttons on jackets, and swinging on chain bags. The opening look shows white camellias running up along a trellis on a tweed coat. With a presence in every ensemble, Coco’s camellias were liberally employed but executed with Viard’s refined eye. But as Viard writes, “the camellia is more than a theme it’s an eternal code of the house.” So, after more than a century of serving as a humble staple within clothes, jewellery, bags, accessories, makeup and beyond, the icon of CHANEL is in focus. Much like CHANEL, its face is sumptuous and beautifully intricate, but its strength is in its consistency. ![]() With no fragrance or thorns, it is a flower of simplicity, with a layered petal arrangement that makes its soft but sturdy form. It’s said that the flower’s elegant modesty besotted her. From John Gallianos elegant floral headdresses to Virgil Ablohs fragrant harness for Louis Vuitton, check out 15 of our favorite floral-themed fits below. In a grainy black-and-white photograph taken in 1913, Coco Chanel is seen with a camellia pinned to her belt. But it was already clear from an Inez and Vinoodh teaser featuring actress Nana Komatsu, Virginie Viard had big plans for the flower for the new season. (Photo by Pascal Le Segretain/Getty Images)Ĭolossal camellias, about sixteen feet high, served as the centrepiece for the CHANEL Fall Winter 2023 show in Paris. Art in Bloom 2021 Flowers in Motion: Floral Fashion Show - YouTube Deep Fog provides the musical backdrop for a floral fashion show inspired by the film 'Flower Punk'. “1:00 p.m.PARIS, FRANCE – MARCH 07: A model walks the runway during the Chanel Womenswear Fall Winter 2023-2024 show as part of Paris Fashion Week on Main Paris, France. show, Gilbert took a long drag off her e-cigarette before replying. ![]() Asked when she began the “extravagant” undertaking for the 6:00 p.m. The French hairstylist completed this exercise 48 different times, on 48 different models, finding new ways to blend the flowers with Art Deco–inspired metal crowns and birds, as directed by designers Laura and Kate Mulleavy. Petals from individual buds and garlands strung up by Los Angeles–based floral designer Joseph Free in shades of scarlet, yellow, pale pink, and spray-painted metallics covered the wood floor alongside loose bobby pins as Gilbert’s team worked feverishly. As a cool, early-fall rain fell outside, seamstresses hand-stitched fresh rosebuds into tulle veils, and Odile Gilbert wove fresh roses into models’ hair for Rodarte’s Spring 2019 show. You could hear the collective intake of breath as photographers, editors, hairstylists, and makeup artists filed into the multipurpose room on the second floor of the Orthodox Cathedral of the Holy Virgin Protection in the East Village this afternoon.
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